Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Saturday, January 6, 2018

Gallus Ignis, Angelus Novus, Lateralux

This is an updated, extended, and more, say, indulgent version (with shameful-shameless plugs as parenthetical remarks) of my year-ender column article for Materials, for Preposterity published last 28 December 2017. More details about some sort of milestones, with hyperlinks. -TA

The series of “previews” (part translation, part summary, part review as noted in the last three column articles) shall end with Bomen Guillermo’s “Kawayan” (2007/2017) and Emiliana Kampilan’s Dead Balagtas: Mga Sayaw ng Lupa at Dagat (2017). Incidentally, the first two previews were fueled by fire and air: text’s terrorism and author’s sentimentalism, flickers that can either be blown by the wind into puffs of smoke blending with the atmosphere or into flames of arson causing alarm; while the last two were weaved by earth and water: peasants’ komiks and scholars’ scripts.
Before putting my feet back on earth allow me to hover a bit. Pardon my indulgence, as the next paragraphs serve as my brief entry to the infamous essay-writing contest that shall crowd newsfeeds come the end of the year of the fire rooster:

Saturday, June 16, 2012

send-offs, regret-wallowing, book-keeping

besides cynthia alexander's migration to the u.s because of 'lack of support,' another ribcage-devastating news was confirmed through dear comradely wastol, xl. the former, however, is more bearable than the latter--as, with a couple of friends, i went to one of the send off gigs, the one at 19 east, with, uhm abby clutario (see stick.com's feature here) of fuseboxx fame and humanfolk and other prominent musicians. the latter is, well, i don't know. hoping to publicly release a sigh about it soon. at the moment, what i am pertaining to is still in progress. *restrain further disclosure*

besides these ribcage-devastating news is another ribcage-devastating goodbye, but this one just needs a little adjustment and everything shall be fine: i have to leave my, uhm, sort of, little library behind and, of course, visit it from time to time. in my case, this is another time and space problem: too many books, too little (reading) time and, let me add, too little (shelf) space dilemma. sorting things out, organizing what goes where with the hows and the whys are headache-inducing these days. no further details after the cut. just photos. of books. and shelves.

[btw, salamat, lyza for for delivering these *tears*]

Monday, December 12, 2011

Shards [vii]: Barthelme's

(Shortened the, say, section name, from Spectacleshards to Shards, just because.)

There's always this urge to return to Southern Tagalog--but not in UPLB. Or so I think, as that particular place mocks me, yet embraces me, as if making fun of what we shared together, of how she, as a mystical place that ironically defies its being a scientific community, cast her spell to those who dared to traverse her depths, or lack thereof. The nostaliga to return to the eLBi is so sickening, as if an itch that needs to be scratched. Today, there's a session, c/o ser D, titled Name-play in Barthelme's "Bunny Image, Loss of: The Case of Bitsy S."

Had I did things I am ought to do earlier, had I been as productive as often as possible, I could have been travelling to eLBi now, but since I cant, I just ripped the plastic of Barthelme's The Dead Father to browse and flip and read the first few pages--though, still, I am, with shame, confessing that I am yet to finish Petals of Blood. Let me share a few sentences, i.e. a paragraph, from the Dead Father:

Machines are sober, uncomplaining, endlessly efficient, and work ceaselessly through all hours for the good of all, said Dead Father. They dream, when they dream of stopping. Of last things. They--

That's it. I stopped. Quite too much. Have to catch up, and make up for the excess of sleep I've slept. I've slacked off, no matter how such a move is against my will, I have none but myself to blame, though I tend to rest against my will as this body does not work that well, I might need a new one, so, I am on a countdown, I've more than five years left before I triumph over life through--



I have to extend the "mechanical experience" and stretch, at all costs, that "experience there was room for." As I also "wanted to know what machines know," i.e what things that repulse me know, i.e. machines more sophisticated than humans--through which I am communicating this message, i.e. venues provided by cyberspace; through which I mechanically reproduced scenes, in an instant, to share experiences, i.e photographs; through which I manipulate images that need, however little, enhancements and few tweaks, i.e. photoshop; through which I explore boundaries, i.e. technology.

Wednesday, November 2, 2011

Spectacleshards [vi]: Ngugi's

11022011. hey, today's date's a palindrome, by the way. a mirror, to, say, reflect on things and all that bullshit of soul searching during all souls' day. just saying.

Proposed full entry title's spectacleshards [v]: ngugi's, or november jumpstart, though there is nothing that has commenced or that is to be commenced as unchecked boxes in the to-do list pile up like I have more tomorrows than any of you, like I have more than 24 hours a day. Not sure whether I am biting more off than I can chew, but, planner says I have left a lot undone and I am way out of schedule. Well, probably, most people in this fast-paced, quick-changing motherfucker of a world feels the same.

"He took the children out into the field to study nature, as he put it. He picked flowers and taught the names of the various parts: the stigma, the pistil, pollen, the petals. He told them a little about fertilization. One child cried out:

'Look. A flower with petals of blood.' "

And, by the way, I'd pepper this post with such quotes from Petals of Blood by Ngugi wa Thiong'o, so, more than a mindless rant of frustration and crap, this post may somehow help you in ways I would never know. Take it as my way of thanking you for dropping by. But, think twice before reading the block quotes, as I am not too cautious with blurting out spoilers, though I doubt there will be spoilers as these are--yes, again, not copypasted, but--encoded (so, yes, please do point out anything wrong, from what fuckeries I am saying to grammatical lapses) from pages 21 to 22 of the book. Encoded, just like most of the previous spectacleshards you might find interesting: [Zizek's] [Borges's] [Pirsig's] [Calvino's] [Philippines graphic's]--


--in which this spectacleshards is a first, a loner adrift the carcosite spectacleshards, being an excerpt from a novel, friendless, while there are three excerpts from short fiction pieces and two are nonfiction, Pirsig's and Zizek's.

"It was a solitary red beanflower in a field dominated by white, blue and violet flowers. No matter how you looked at it, it gave you the impression of a flow of blood. Munira bent over it and with a trembling hand plucked it. It had probably been the light playing upon it, for now it was just a red flower."

[Here] is a link to Zizek's beautiful and insightful speech during the Occupy Wall Street protests, though I share Rolando Tolentino's [take] as regards the "occupy" movement worldwide, and, I'd also like to link the [points] raised by Teo Marasigan. By the way, I felt that facebook is too occupied, crowded, cluttered, so, I deactivated it, again, to, sort of, detoxify. But despite the burial of that cyber projection, information never fails to overflow and overwhelm the fuck out of me, flooding, fucking, raping my mind into oblivion and ignorance of the things I thought I know, destroying and creating truths, all over, like an endless un/learning process, which is nice, but, tiring--now I have, again, at least 25 tabs waiting to be read, now, or until the next time I go online. I have downloads in progress, though I have .avi's .pdf's .cbr's .mp3's etc eating cyber dust. Consumerism leaves me with no choice but to not have a choice. At all.

" 'There is no color called blood. What you mean is that it is red. You see? You must learn the names of the seven colours of the rainbow. Flowers are of different kinds, different colours. Now I want each one of you to pick a flower ... Count the number of petals and pistils and show me its pollen ... ' "

What happened in the previous month? Nothing productive worth celebrating as the september jumpstart, I think, but, somehow, the samhain countdown of october compelled me to be / to seem productive. Yet after reading this article, I felt alarmed, thinking that I'd rather go on an actual trip, one on a road that's concrete, than, well, a trip deep within one of the rooms inside my head--or my head inside this room? Which is which? After minute or two of re/thinking, I'd rather go on a recluse. I am steps away from lessening cyber foot prints anyway. And, I hope you lurkers fucking comment when you stumble upon this blog. A "hey there" would suffice. Paranoia never leaves my side, as I sometimes feel like those hits /stats mean danger. How? Why? What the fuck am I talking about? Well, if you didn't dig it, you probably don't know who I am, so, I suggest we hang out some time.

"He stood looking at the flower he had plucked and then threw the petals away. Yet another boy cried:

'I have found another. Petals of blood - I mean read ... It has no stigma or pistils ... Nothing inside.'

He went to him and the others surrounded him:"

There. Dig it? Of course you don't. Ha! Talking in riddles doesn't work all the time.

" 'No, you are wrong,' he said, taking the flower. This color is not even red ... It does not have the fullness of colour of the other one. This one is yellowish red. Now you say it has nothing inside. Look at the stem from which you got it. You see anything?'

'Yes,' cried the boys. 'There is a worm - a green worm with several hands or legs.'

'Right. This is a worm-eaten flower ... It cannot bear fruit. That's why we must always kill worms ... A flower can also become this colour if it's prevented from reaching the light.'

Last month are news of some of those who died that are never even worms deserving to be killed. Among them, shedding light to the darkness of the exploits of this established order, are two who served the people: one claimed by "natural" death, the other by bullets. It is All Souls' day, and I wonder, had there been souls, how many of them are still roaming the mortal world in search of the justice that remains unserved despite their bodies being almost, if not completely, decomposed by worms? This is quite a lengthy blog entry, right? Had neither facebook Wall for status messages nor public tweets as outlets, so, I abuse this space in the interwebz. Hang in there, I am almost done, we are almost done with these senselessness, I think.

"He was pleased with himself. But then the children started asking awkward questions. Why did things eat each other? Why can't the eaten eat back? Why did God allow this to happen? He had never bothered with those kind of questions and to silence them, he told them that it was simply a law of nature. What was a law? What was nature? Was he a man? Was he God? A law was simply a law and nature was nature. What about men and god? Children, he told them, it's time for a break."

Maybe it is. After pondering on death, I'd like to concede that god is a necessity, thus prayers are, I think, mandatory, given the sociocultural context of the Philippines--whether we like it or not. As an Apocalyptica song goes, "I don't believe in god, but I'll pray for you." It has been a long while and I haven't written about you in public again, yet. And I am not sure if I will, anytime soon. But, yes, I somehow did. Now. And a maybe few weeks ago, if that counts.

Anyway, I am hoping that Petals of Blood equals or surpasses the enjoyment I had with Wizard of the Crow. Yes, that tendency again to measure an author's work with his other works. Speaking of "works," I think, after this, I would not post an entry anytime soon (yes, I am writing as if anyone's reading) since a lot of things are long overdue, and I hope deactivating facebook and privatizing [eh?] twitter are effective strategies for focusing (and perhaps feeling safe, ha, paranoia strikes given the chance), one task at a time, though I think nothing is really helping and "discipline," whatever the fuck that means, is the key to, say, success.


And, speaking of measuring using other works of the author against his own as yardstick, I remember how a co-fellow and I talked about being anthologized in two local compendiums of contemporary writing--with one daring to not include those in the literary canon, while the other one tends to seem all-inclusive, regardless of whatever borders, creating some sort of a unity, or a pluralist, populist, gesture of togetherness despite differences. With the former grounded with theory and the latter criticizing theory, I think I am with the former, as I believe multi-perspectives, or pluralist worldviews, oftentimes justify hegemony and elitism through borderless compromises.

This is also why I am kind of cynical with the Occupy Wall Street that, I hope, wouldn't turn out to be among those fads that later cease to exist, furthering the skepticism and doubt of people with "collective action." I am not really sure with what I am saying, so I'll strike through these paragraphs, okay?

Tuesday, September 13, 2011

Spectacleshards [iv]: Borges's

[screencap of google's tribute to Borges]

Starting this post by expressing how Jorge Luis Borges's Deutsches Requiem gave me the goosebumps, raising, erecting hairs all over the body, a tingling in the spine that needs not be explained, a guilt caused by the god complex that infected all people, though they may not be aware of it, as if it were natural, thus, it may not be beyond the normal at all, and this story tells the half-truths we may not want to half-accept, this story being a horror story without the monsters, except the the selves, the humanity, the god, the beast that is inherently in us, and, that we collectivley, deliberately, allow to come into all the planes of existence we can fathom and feel and fuck. Spontaneity, For international solidarity with Chile, Tilde. (A lame effort to attention-whore. Yes, fangurling hasn't ended yet. And I feel like I am being hated for it. Paranoia strikes like fuck. Anyway, sorry if this bothers you. Thanks in advance for dropping by.)

En el primer volumen de Parerga und paralipomena releí que todos los hechos que pueden ocurrirle a un hombre, desde el instante de su nacimiento hasta el de su muerte, han sido prefijados por él. Así, toda negligencia es deliberada, todo casual encuentro una cita, toda humillación una penitencia, todo fracaso una misteriosa victoria, toda muerte un suicidio. No hay consuelo más hábil que el pensamiento de que hemos elegido nuestras desdichas; esa teleología individual nos revela un orden secreto y prodigiosamente nos confunde con la divinidad. ¿Qué ignorado propósito (cavilé) me hizo buscar ese atardecer, esas balas y esa mutilación? No el temor de la guerra, yo lo sabía; algo más profundo. Al fin creí entender. Morir por una religión es más simple que vivirla con plenitud; batallar en Éfeso contra las fieras es menos duro (miles de mártires oscuros lo hicieron) que ser Pablo, siervo de Jesucristo; un acto es menos que todas las horas de un hombre. La batalla y la gloria son facilidades, más ardua que la empresa de Napoleón fue la de Raskolnikov. [source]

I hope she doesn't mistake me for fascist or a Nazi visionary of some sort. Here's Julian Palley's translation of the excerpt (though, of course, I suggest that you read the story first):

In the first volume of Parerga und Paralipomena I read again that everything which can happen to a man, from the instant of his birth until his death, has been preordained by him. Thus, every negligence is deliberate, every chance encounter an appointment, every humiliation a penitence, every failure a mysterious victory, every death a suicide. There is no more skillful consolation than the idea that we have chosen our own misfortunes; this individual teleology reveals a secret order and prodigiously confounds us with the divinity. What unknown intention (I questioned vainly) made me seek, that afternoon, those bullets and that mutilation? Surely not fear of war, I knew; something more profound. Finally I hit upon it. To die for a religion is easier than to live it absolutely; to battle in Ephesus against the wild beasts is not so trying (thousands of obscure martyrs did it) as to be Paul, servant of Jesus; one act is less than a man's entire 134life. War and glory are facilities; more arduous than the undertaking of Napoleon was that of Raskolnikov.

I miss reading Fyodor. Sighs. Hope to finish that Fyodor fiction soon, among other pending shit that remains pending. Oh, the eerie, fanatic, Nazi line?

Essentially, Nazism is an act of morality, a purging of corrupted humanity, to dress him anew.
and the conclusive paragraphs making sense, preaching, justifying stuff?

It has been said that every man is born an Aristotelian or a Platonist. This is the same as saying that every abstract contention has its counterpart in the polemics of Aristotle or Plato; across the centuries and latitudes, the names, faces and dialects change but not the eternal antagonists. The history of nations also registers a secret continuity. Arminius, when he cut down the legions of Varus in a marsh, did not realize that he was a precursor of the German Empire; Luther, translator of the Bible, could not suspect that his goal was to forge a people destined to destroy the Bible for all time; Christoph zur Linde, killed by a Russian bullet in 1758, was in some way preparing the victories of 1914; Hitler believed he was fighting for a nation but he fought for all, even for those which he detested and attacked. It matters not that his I was ignorant of this fact; his blood and his will were aware of it. The world was dying of Judaism and from that sickness of Judaism, the faith of Jesus; we taught it violence and the faith of the sword. That sword is slaying us, and we are comparable to the wizard who fashioned a labyrinth and was then doomed to wander in it to the end of his days; or to David, who, judging an unknown man, condemns him to death, only to hear the revelation: You are that man. Many things will have to be destroyed in order to construct the New Order; now we know that Germany also was one of those things. We have given more than our lives, we have sacrificed the destiny of our beloved Fatherland. Let others curse and weep; I rejoice in the fact that our destiny completes its circle and is perfect.

An inexorable epoch is spreading over the world. We forged it, we who are already its victim. What matters if England is the hammer and we the anvil, so long as violence reigns and not servile Christian timidity? If victory and injustice and happiness are not for Germany, let them be for other nations. Let Heaven exist, even though our dwelling place is Hell.

I look at myself in the mirror to discover who I am, to discern how I will act in a few hours, when I am face to face with death. My flesh may be afraid; I am not.

:L may mga fiction etong si borges na parang quotable ang buo, as in, yung buo. nakakainis. tas next stop, barthelme naman! hay. sana makasulat! ktnxbye. PS! osiya, eto, links, generous ako, eh! [links!] [links!] [critique!] [fave!]

Monday, September 5, 2011

CarcositeNewsNet: September Jumpstart


This is not really mock news. All of these happened. Or, I think it has. Being spontaneous, this is also something of a, say, machine gun post, as you would notice a lot of fillers, as if I am conversing with you. This is really nothing but an update that would probably not be of any help to your life. If you still want to read on, then, I'm game if you're game--

Ended the 31-day writing challenge of August with a fanfiction featuring a lost Spider Jerusalem wandering Metro Manila and writing about Professor Charles Xavier, King Mob / Gideon Stargrave and Lex Luthor. [read it here]


Started September printing Ang Sandatahang Banga komix. [details]


Sold the komix around elbi, then travelled the day after back home, then, to Quezon City, then, to Makati for the book launch, and some kinda underground komix transactions during the book launch, as if doing a counterculture against-the-flow thing, as komix and poetry seems like strangers to each other, coming from different worlds, in terms of recognition of literariness and mass production--though I think this notion is being crumbled one step at a time by local komix artists and writers, anyway, I did end up selling komix inside ayala museum, which feels, I don't know, it felt good. (And another memory flashed before my very eyes. Twas the Conference of Philippine Center of International PEN, and there I was leafing through a book, which was not just any other book--a photocopied book, ie, a reading for eng103 (critical writing class): Jessica Zafra's Twisted 7 [?], which we are to dissect, to criticize, and I did. It's like watching pirated DVD on some sort of a gadget that plays pirated DVDs--inside a movie house.) Para kang nagvavandal without actually-- Enough explaining. Hope you dig how I felt. Hehe. Anway, here's the [link] to the event, and here's the program, as lifted from the link:



Live music from
RADIOACTIVE SAGO PROJECT
CORPORATE LO-FI
VIGO
ANTHONY PIGGOTT & YNO+
AXEL PINPIN & THE PROPAGANDA MACHINE

Featuring:
Bienvenido Lumbera (National Artist for Literature)
Gemino H. Abad
Pete Lacaba
Teo T. Antonio
Ronaldo Carcamo
Ronan B. Capinding
Marra PL Lanot
Benilda Santos
Rebecca T. Anonuevo
Bebang W. Siy
Andrea B. Teran
Eliza Victoria
AND OTHER SURPRISE READERS

With the special participation of:
Ornussa Cadness
Mercedes Cabral
Shawn Yao
Gee Canlas
Jean Garcia
Roselle Monteverde
Brian Tenorio
Rox Puno
Nelson Canlas

Hosted by Sue Prado & Dakila Cutab

Free Admission.

UNDER THE STORM is a compilation of 150 poems from an eclectic mix of 150 Filipino poets: from the renowned and the known to the upcoming and the knowable. It surveys the landscape, explores the topography of the phenomenal, social, and lingual developments in contemporary Philippine Poetry. This is not simply a gathering of the intelligent. It is a harvesting of works by the willing and the devoted to the labor of crafting, the human turn, and the myriad possibilities of language (Edited by Khavn dela Cruz and Joel Toledo):

Abad. Abad. Abad. Abola. Abueg. Acosta. Acuña. Agustin. Aldaba. Alitaptap. Alma. Almero. Fojas-Almirante. Alonte. Alvarez. Alvarez. Ancheta. Angeles. Añonuevo. Añonuevo. Antonio. Aranal. Arguelles. Aquino. Azada. Bajarias. Balota. Baquiran. Barrios. Basmayor. Borlongan. Buenviaje. Cabato. Capili. Capinding. Carcamo. Carnice. Casaje. Casocot. Castro. Chancoco. Ching. Cimatu. Co. Cordero. Coroza. Cortez. Cui. Cutab. Dalisay. Damasing. Daoana. De Guzman. dela Cruz. De La Cruz. De La Cruz. dela Cruz. De Los Santos. De Mesa. de Paula. de Ungria. De Veyra. del Prado. Despi. Diaz. Diaz. Dimzon. Dollente. Dominguez. Dumdum. Evasco. Fagela. Fernandez. Francia. Gaba. Gamalinda. Garcia. Gervacio. Go. Gubat. Gulle. Gutierrez. Igloria. Imperial. Kilates. Kimpo. Kwan. Lacaba. Katigbak-Lacuesta. Lanot. Lao. Lao. Lazaro. Losaria. Lumbera. Manzano. Marcelo. Maranan. Maranan. Montalban. Nadera. Nicolas-Na. Novicio. Os. Oyzon. Pagliawan. Pagusara. Pandan. Parfan. Pastrana. Piocos. Pinpin. Quibilan. Reyes. Rillo. Rivas. Rodriguez-Tomlinson. Rosal. Rubino. Rueda. Sabilano. Saguid. Salud. Samar. San Diego. Santos. Serquiña. Sevilla-Simon. Sillada. Siy. Sulat. Sunico. Tablazon. Taguilaso. Teodoro. Teran. Torralba. Torre. Torres. Tuvilla. Umil. Urquico. Valencia. Valles. Vega. Victoria. Villafania. Villas. Yandug. Yuson.

Book Design by Piya Constantino | Cover Art by W Don Flores | 4th .MOV International Film, Music, & Literature Festival | September 1 to 6, 2011 | The Podium, Ayala Museum, Greenbelt 3 Park, & UP Film Center | www.movfest.org

Got my complimentary copy of the anthology, and happened to meet Paper Monster Press peeps. Complimentary copies of two new books, olde fellows and friends and new acquaintances, four destination points in a day, for someone who isn't fond of going out and who is kind of a stranger to the norms of social gatherings. That friday was something. Whether that was positive or negative, I would not know, but I know it felt good and I felt alive.

Watched Philippine Educational Theatre Association's WILLIAM the following day. [link] (For friends who may be waiting for the complimentary tickets, thanks to the HU ART DAW Shakespeare icon contest, please do wait for my message. Used the first five tickets for, haha, my family, as this is the first time I've, what's the term, "treated [?]" them. The tickets may be used til July 2012, I think. Anyway--)


The rap musical was kinda nice, even for someone like myself who has just watched (and somehow found entertainment in) fliptop last month and has no appreciation for hiphop, for reasons that aren't really reasons, maybe because of sheer preference BUT I think WILLIAM broke a lot of legs. As reviews have said, it was a new way of looking at Shakespeare. However, though it may sound like asking for too much from a rap musical intended for the general audience (andaming high school students), I kind of expected more, because the first play I've watched in PETA was Bertolt Brecht's THE THREEPENNY OPERA--something I've enjoyed a lot (and coincidentally, my "poem" for UNDER THE STORM anthology is an "erasure" of the Notes to The Threepenny Opera part of my copy of THE THREEPENNY OPERA).

In terms of content, I've waited for lines saying, or rather, implying, how fucked up the education system is, being colonial, commercialized and fascist--though yes, maybe, it had something to do with the expected audience being young but a brief "sigh" re: the colonial and/or commercialized characteristic would have been nice--or there was such and I was not paying attention. To cut short and to temporarily end (I'm quite unsure when the temporary end ends!) this mini-review, let me say that the, what was that called, "directorial concept," of both plays I've seen in PETA never failed to entertain, to inform, and to inquire. I think THREEPENNY's use of the padyak (the bicycle with a sidecar) and WILLIAM's use of the bangko (stool) worked very well, as it was executed very well. Would like to thank PETA for being accommodating. Twas nice that the compli tickets are VIP seats. Ended this day signing the conforme re: the said contest, eating somewhere, and going home with a satisfied appetite--not just because of good food, but because of the production.

Then, Sunday strikes with a storm amidst the relatively sunny (fuck yeah, twas really sunday!) day. What a way to end this blast with a cynical blast because of realizations I should have realized and I should have accepted. Things I can't talk about. Yak. Drama. Anyway, off to wherever. Something is gonna start soon. A lot still needs to be done. And to end with optimism, good thing that Monday brought good news. The Quarterly Bathroom Companion Comics Compendium was nominated for best cover [link] and for grassroot award [link], at the KOMIKON 2011 awards. Lifted this image from the link:


You may search the carcosite for the colored version of my QBCCC entry 5-minute matrescapist in reverse - 5MMiRV [You may start "reading" it here]. Collaborative komix w Alyza Taguilaso, Fragments in Which We Are-- [You may peek here] shall be in QBCCC #2, which shall be available at the next Komikon. QBCCC is edited by Josel Nicolas, DJ Legaspi and Mervin Malonzo (who made the cover for QBCCC#1).

For international solidarity with Chile, Tilde. (A lame effort to attention-whore. Yes, fangurling hasn't ended yet. Sorry if it bothers you. Thanks for dropping by.)

Wednesday, August 31, 2011

31-DAY WRITING CHALLENGE #029 - 031- FINALE - FANFIC


(May disclaimer sana pero, sa dulo na lamang ho. Dito na ho nagwawakas ang paglahok sa 31-Day Writing Challenge, at sa dulo na rin ang iba pang komentaryo. Salamat ho!)

“Kathanga(h)an!,” Komentaryo ng Kalbo (firstime fanfiction ni Tilde Acuña)

Tinipon ang mga artikulong ito mula sa “Nampota, Hasel Todits!,” ang pansamantalang kolum ni Spider Jerusalem sa pahayagang MENSAHE NG MAYNILA. Sabay-sabay nilimbag ang mga ito nang tatlong ulit tulad ng pakiusap ng may-akda. Ito ang dahilan kung bakit patung-patong ang kasong isinampa sa MENSAHE. Naglaho ang may-akda at kinalulungkot naming hindi namin nabayaran ang isa’t isa sa mga dinulot na pinsala ng mga artikulong ito kaya minabuti naming ilimbag na lamang at ibenta upang kahit papaano’y makabangon muli ang MENSAHE.
–Punong Patnugot

Panimulampotangena!

Oo, tangina ano? Pang-ilang insulto na ba ito sa akin? Ako na naman ang nagsusulat ng paunang salita sa sarili kong kuleksyon. Eto kasing editor kong si Royce, parang gago. Sabi ko, nasa ibang panahon ako na para na ring ibang daigdig dahil sobrang atrasado, kingina, tas ang sabi ba naman sa akin ng gago, magjakol na lang daw ako. Tapos yung mga alalay kong chics, ang sabi sa akin, day-off daw nila. Kahit yung publisher, ayaw gumawa ng introduksyon. Pero bilang responsableng mamamahayag, ginawa ko itong panimulang salitang ito para maipakita sa inyo ang dedikasyon ko sa paghahanap ng Katotohanan.

At ano namang inasahan n’yo sa akin? Ano? Hindi n’yo ako kilala? E mga pukingina pala kayo, eh. Hindi n’yo ako kilala, tas aasahan n’yong babatiin ko kayo ng, “Hello, you guys! I love you all and I’m so happy to welcome you to my very new collection of dreams and tourism and love for the countrymen and the nation—” Ganun ba ang tipo n’yo? Yun ang inasahan n’yo? E mga bwakanangina n’yo pala talaga, eh. Kung gusto n’yo ng ganun, bumili kayo ng kuleksyon ni Kris Aquino, kung mayroon. O pwede ring kay Jonas D. Drothers, Jonas Drothers. Ewan kung sino man ang mga iyan, basta narinig ko lang ang mga pangalan dito sa Siyudad ninyo.

Bagamat humihina ang baga ko sa Siyudad n’yo dahil masyadong malinis ang hangin (oo, tarantado, alam ko sinasabi ko, malinis pa ang hangin dito sa inyo) kumpara sa Siyudad na pinagmulan ko, kaya ko pa ring hampasin ng crowbar ang kahit sinong nagtatago ng Katotohanang hinahanap ko kahit hindi ko kasing tikas yang pinagtitilian ninyong Azkals na supot naman sa palakasan pero andaming patalastas—andaming patalastas, ha, galing ako sa mundong kahit saan ka lumingon, may hihindot sayo’ng impormasyon, sa ayaw mo at sa gusto.

Iklian ko na lang hanggat maaari ang salaysay kung bakit nangyari ang tanginang trip na nagbunga nitong pagbisita ko sa Siyudad n’yo. Nakasalubong ko kasi si King Mob. Malay ko kung anong ginagawa niya sa Siyudad noong mga panahong iyon. Pero basta, puta, badtrip ako n’un, at kinailangan ko ng tropa. Di ko alam kung nasaan ang mga tao, o kung naglalaplapan ba yung mga alalay ko o ano, pero si King Mob, bigla ko na lang nakitang tumatakbo at namamaril. Edi sinabayan ko tas akala ko, binibira rin siya ng mga bata ni Beast o ni Smiler. Kinapanayam ko siya para naman maupdate ang sarili sa mga nangyayari sa pulitika bilang responsableng mamamahayag. Hindi ko kilala ang mga sinasabi niyang kaaway na Outer Church, etc, etc. Wala rin naman akong gaanong pakialam sa mga gerang nilalahukan niya ano, at may sarili akong gera! Pero nagkaroon ako ng pakialam nang makita ko ang mukha niya.

Hindi naman ako nabakla dahil kung nabakla ako, parang titi naman akong pinagjajakulan at pinanlilibugan ang sarili. Dahil, nampucha, kamukha ko si King Mob. Nang tanungin ko kung marami pa kaming magkakamukha, tumango siya at nagbigay ng dalawa pang pangalan. Binigyan ko siya ng libreng turok, kung nadidigs mo. Bilang kapalit, tinulungan niya akong “bumalik”—o “maglakbay” dahil para sa akin, bahagi ang karanasang yun ng pagsulong papunta sa isang hinaharap—sa ibang oras at ibang panahon. Tulad ng payo niya, una kong pinuntahan ang telepatikong lumpong chic boy na propesor na magtuturo sa akin kung paano magsalita sa Wika ng inyong Siyudad. At sa isang komix convention ko siya dinatnan.

Ang Baldadong Kalbong Edukador-Kuno


May habilin si King Mob na mag-ingat daw ako kay Propesor Xavier dahil tuso daw ang gago. Kaya daw nitong basahin ang isip at magbura o magmanipula ng alaala. Ha! Ako? Pucha, ulul, pakyu! Matagal nang magulo ang utak ko at sabit-sabit ang alaala, kaya hindi ko alam kung paano niya pa ito guguluhin. Nadama ko ang bentahe sa una pa lamang naming pagkikita dahil nakakunot ang noo niya na para bang hirap na hirap at parang matatae na hindi mo maintindihan. Sabay tanong kung sino raw ako, saan galing, at baka daw “mahalata” kami.

Edi syempre, sinagot ko, at sinabing mamamahayag ako ng MENSAHE NG MAYNILA at kailangan ko siya mainterview para sa aking kolum. Sa ingles pa kami nag-uusap, kasi, potangena, ano ‘ko, linguist tulad ng bayani n’yong si Rizal? Mas malupit naman ako nang di hamak doon, ano! Marami pang tinanong si Propesor, kesyo hindi pa daw siya nag-a-out na mutant siya, kesyo delikado, kesyo baka daw malagay sa peligro ang buhay niya at ang disposisyong pinanghahawakan niya, at iba pang kahindutang kabaklaang hindi ko maintindihan. Sabi ko, ganito ko ipapakete sa kolum: cosplayer siyang magkokomentaryo sa kalagayan ng edukasyon. Tiniyak ko rin sa kanyang gaguhan lang panayam, ang lahat, at basta ang gusto ko naman talaga ay magkaroon ng pagsusuri sa krisis sa edukasyon at batayang serbisyo, etc.

Tangina n’yo, wag n’yo ko husgahan. Syempre, kailangan kong manloko at gumamit ng mga lumpen na paraan para maipahayag ang Katotohanan. Pasalamat ka sa pamamaraan ko at nababasa mo ang obra maestra ko ngayon. At mas maganda sigurong abangan kung anong gagawin mo matapos ang mga rebelasyong isisiwalat ko, kaysa naman pansinin mo pa ang mga pamamaraan ko. Eh ikaw, ano bang ginagawa mo at paano at anong gagawin mo matapos mabasa itong mga katarantaduhang naririto? Basta hakbang ito sa Katotohanan at sa unang araw ko sa Siyudad n’yo, tinuruan ako ng Propesor ng inyong Wika, at nagtiwala naman siya sa akin.

Natagalan nga lamang kaysa sa normal ang pagtuturo ng Wika dahil nahirapan daw siyang magpasikut-sikot sa mga kabuktutan ng utak ko. Pinagyaman kasi ang aking isip ng mga bawal na gamot na yari sa teknolohiya ng pinagmulan kong Siyudad. Nagtakda na lamang kami ng sunod na pag-uusap at mabuti na lang at matagal itong mga kaululang komix convention na kahawig noong mga pagtitipon ng daanlibong relihiyon sa Siyudad namin. Hindi ko alam kung mabuti o masama na monopolyado at sentralisado ang relihiyon dito sa inyo.

Dahil sa napansin, nagdamit ako bilang Hesu-Kristo sa anime convention at kapag tinatanong kung sinong kinocosplay, sinasabi ko na lang na yung main character sa Jesus manga—ang pinaka-rare na manga sa sanlibutan na ako lang ang mayroon, kaya naging ‘astig’ ako sa mata ng mga cosplayer. Gagamit na lang ako ng pormula para ibuod kahit papaano ang napagusapan namin, na karamihan, sabi ko, off the record naman, pero dahil ako ito, na hindi niya kilala at maaring hindi mo kilala, nakakuha ako ng maseselang mga impormasyon:

Nang tanungin kung saan siya nagtuturo at anong, parang, press release niya, sinabi niyang sa Pamantasan at itinalaga na raw siya sa iba’t ibang matataas na posisyon dahil na rin sa kanyang kapangyarihan sa pagmamaniobra ng mga isipan ng iba. Kita ninyo, mga ungas? Wala kaming pinag-iba at magkamukha kami! At, dagdag pa niya, ginagawa niya raw ang mga ito para rin sa ikabubuti ng Pamantasan at para makapagpanukala na rin ng mga patakarang magtatanggol sa mga maglaladlad na mga mutant na nahihiya lang mag-out dahil sa malaking posibilidad ng diskriminasyon. Parepareho lang daw ang nadarama ng mga mutant na hiya, kahit pa sa Siyudad na ito, kung saan hayok sa landing o exposure sa masmidya ang mga tao.

Nang tanungin kung anong tingin niya sa edukasyon, nagmalaki siya ng mga nagawa. May sarili daw siyang “institute for learning” kung saan pinangangalagaan niya diumano ang mga espesyal na kabataan—yung mga mutant nga. At kung anu-anong shit na ang sinabi niyang hindi ko naman tinatanong hanggang ipinasok ko sa usapan ang pondo. Ang pondo raw ay nagmumula sa iba’t ibang mga NGO at LGU at pribadong korporasyon. Balak din daw niyang magtayo ng ganoong institute dito, at mabuti na lang daw na may public-private partnership program ang pamahalaang ito. Parang mauutot ako.

Nang tanungin kung hindi ba magiging mahal ang babayaran ng mga potensyal na estudyante, ngumisi lang siya—na pucha, parang si Smiler—at sinabing yun nga raw ang dahilan kung bakit humihingi siya ng tulong sa nasabing mga organisasyon. Babayaran na lang daw ito ng mga iskolar “in kind.” Napansin niyang magtatanong pa ako kaya sinagot na niyang sa pamamagitan daw ng pagseserbisyo sa mga sangay o anumang may kaugnayan sa mga nasabing organisasyon, mababayaran daw ng mga mutant ang matrikula. Dito na nagpantig ang tainga ko.

Naitago ko naman ang pagdidilim ng paningin, kaya nakagawa pa ako ng hakbang bago siya parusahan. Nagyaya akong ililibre ko siya bilang pasasalamat. Dudukot ako kunwari ng pitaka, pero ang aking sandata ang binunot ko: ang bowel disruptor. Para itong baril at batay sa pangalan, magkakaroon ka ng ideya kung anong kapangyarihan ang taglay nito. Tulad mong tangina mo ka, hindi niya alam kung anong kakayanan ng baril kong ito kaya hinamon ko siyang basahin ang iniisip ko. Wala siyang nasabi at nanatili ang mukha niyang ganoon hanggang iwanan ko ang bituka niyang nagbubulwak ng burak. Naging mabait ako at ang setting na “moderate to heavy diarrhea” lamang ang ipinataw kong parusa sa kanya.

Bagamat iligal, paborito kong armas ang bowel disruptor dahil bukod sa hindi naman ito nakamamatay, wala itong naiiwang kahit anong bakas. Oo, gago, hindi ‘to nakamamatay, pero kung mahina ang katawan tulad neto ni Propesor, maaring mawalan ng malay ang biktima—na sa pagkakataong ito ay parang na-comatose na hindi ko alam kung dahil sa pagtatae o kahihiyan dulot ng pandidiri sa sarili. Daig pa niya ang tumae lamang sa salawal dahil nakaupo at nanatili siyang nakaupo sa naninilaw niyang wheelchair nang mangyari ang sakuna.

Ang Salamangkerong Anarkistang Kalbo



Tutal, nasimulan nang edukasyon ang paksa, at mukhang may kinalaman dito ang asal at pakikitungo at kultura at maraming bagay sa Siyudad na ito, minabuti ko na ring sumama sa mga nagrarally para sa dekalidad na edukasyon. At katulad na katulad ni Smiler sa pinanggalingan ko itong presidenteng pinupulaan sa mga sigaw at sa mga plakard. Ngiti lang nang ngiti ang putangina na nadinig kong puta raw talaga ang ina. Kung gaano yun katotoo, e, hindi ko pa malaman at iba naman ang Katotohanang hanap ko sa mundong ito, at tulad ng nabanggit, o masyado akong sabog para maalala kung nabanggit, gusto ko lang namang mag-enjoy at magliwaliw at makilala ang mga kamukha ko. Nakakasurpresang may kamukha rin pala ang mga tarantadong burukrata sa Siyudad ko sa Siyudad na ito. At ang sunod kong kinapanayam nang hindi sadya ay hindi lang may kamukha. Isang photocopy ng kaibigan. Siya mismo. Si King Mob.

Nilapitan ko siya at tinanong kung bakit galit na naman siya sa gobyerno at kung underground ba siya. Tinitigan lang niya ako at sinabing baka daw ikamatay niya ang mga paratang ko, at kinuwestyon niya rin ang pagkatao ko, tulad ng Propesor. Sabi ko na lang, e punyeta naman kasing demokrasya ito, hindi pa kumikilos ang lahat ng tao, pucha. Ang sagwa pero, may kakatwang lubag ang loob namin sa isa’t isa. Baka dahil pareho kaming mukhang durugistang lutang na prinsipyado at may sinasabi pa rin namang may silbi. At, siyangapala, putangina nitong mundo ninyo, ang hirap na nga huminga dahil sa kakulangan ng carbon dioxide, hindi pa umuubra ang antipara kong kamera. Kaya wala na akong magagawa at gumuhit na lang ako sa kung anumang tawag dito. Papel. Tama? Kala n’yo, bobo ako? Mga gago.

Sa pagguhit ko ng tila mga self-protrait, parang mga accessories lang ang pinagkaiba ko sa mga ito. At tattoo na rin siguro. Walang tattoo si “Gideon,” kaya mas malaki ang titi ko sa kanya. Pero malakas din ang apog nito dahil tangina, anarkista ang gago. Bossing pala siya ng isa sa mga kolektib ng anarkistang organisasyong tinatawag na “Imbisibol.” Mas marami pa akong nadiskubre sa kanya at marami siyang alam na kung anu-anong shit na conspiracy theories. Mukhang nagsasaliksik parati. Pero sa katunayan, hindi ko alam kung mas nakatatanda o mas nakababata itong King Mob na kinakausap ko. May iba sa kanya.

Tulad ng gawi, sinabi kong mamamahayag ako at may kolum ako sa MENSAHE NG MAYNILA at baka pwedeng magtakda kami ng mas pormal na interbyu, at ang magiging output ay isa sa tatlong bahagi ng isang limited edition, once in a life time serye kong “Nampota, Hasel Todits!” Dahil sa bentaheng baka mahanap niya ang sunod na rekrut kung magkakaroon siya ng publicity, pumayag si kalbo. Sa tono nga lang ng pananalita, parang mas may yagbols yung unang King Mob na nakausap ko. Ang gulo naman ng Panahon at Espasyo, putanginang iyan!

Kinabukasan, nagkita kami sa kapihan sa Pamantasan tulad ng tinakda namin kahapon. At halos katulad nung mga tinanong ko kay Propesor ang binalangkas kong mga tanong, pero siyempre, dahil hindi naman ako tuod na robot tulad ng ibang nakita kong mamamahayag ditong nakarekord na ata ang lahat at scripted ang tanong at may maitanong lang, maaring magbago ang mga tanong, dipende sa palitan namin ng kuru-kuro. Tsaka karamihan pa rin ng diyarista dito, pucha, parang mga gago. Obhetibo, walang kinikilingan, mga ulul! Mga pakyu! Kaya nananatili sa anak nampotang lusak ang mga Siyudad dahil sa hindi paninindigan para lang manatiling ligtas. Kung si Smiler o ang Smiler ng Siyudad n’yo ang pag-uusapan, wala dapat obhetibo obhetibo. Patawan ng karampatang trato ang mga tarantadong pulitiko.

Kaya ayos naman itong si Gideon dahil halos nagkakasundo kami sa puntong iyan—ang pagpanig ng isang manunulat, o ng kahit sino, para maipakita man lamang na nag-iisip siya at hindi nag-uulat lamang ng kung anong nangyari. Edi sana, nilagyan na lang ng, kumbaga sa Siyudad ninyo, CCTV, para obhetibo at walang kampihan, pero, bwakanangina, wala ring pag-unlad kung ganoon. Kung gusto mo maging obhetibo, tangina mo, tumigil ka na sa pagbabasa, at baka mag-init ang ulo ko, sabihan pa kita ulit ng tangina mo, duwag!

Una kong tinanong ang hinggil sa pag-aaklas, kung ano bang magagawa nito, at kung bakit niya ito ginagawa. Dito na ako bahagyang napailing sa kanya, nang sabihing sa ganoon niya nakikita ang pagbabagong lipunan, sa reporma, sa pagkilos lamang sa lansangan. Sapat na raw yung ganoon. Kahangalan. Nampota pala neto, sabi ko sa loob ko, dahil, pucha, rally, anong mararating nun? Rally lang? Tumingala siya sa langit kung saan sinasabing naninirahan ang mga panginoong iniimbento ng mga putanginang mga debotong nito. Maya-maya’y umamin siyang tumiwalag na siya sa Imbisibols, at tumutulong na lang siya paminsan.

Sunod kong tinanong, kahit wala sa listahan, ay ang dahilan ng pagbaliktad niya. Itinama niya agad ang tanong ko at sinabing hindi siya nagtaksil. E gago ka pala, ba’t ka umalis at hindi na lang tumulong sa internal na pag-aayos ng organisasyon ninyo? Anlabo nampota. Akala ko ba, naghahanap kang rekrut? Hinawakan ako nito sa kwelyo at agad ko namang sinunggaban ang aking upuang ipanghahambalos, pero kapwa kaming parang tangang natigilan. Una siyang bumitiw, at hinagis ko ang upuan sa salamin. Dumampot siya ng isa sa mga bubog, at ihinarap sa akin hanggang maaninag ko ang mukha ko.

Tarantado, alam kong magkamukha tayo, bulyaw ko sa kanya. Tuluyan niyang binasag ang bubog at ikinwento ang nangyari sa isang misyon nila sa Roswell—kung anong misyong ito, hindi na niya pinalawig, basta ang mahalaga, may inumit daw siyang mahiwagang bubog na nagpakita sa kanya kung gaano karahas ang karahasan. Ay, gago ka pala, karahasan nga, putangina, wag mo ko daanin sa talinghaga mo, ano ka, makata? At sumagot ang gago. Nobelista raw siya noon. Nabanas na ako at iniba ko ang pinaguusapan.

Bilang huling katanungan, dahil gusto ko na siyang gulpihin para lang isuka niya sa dugo ang Katotohanan kung bakit siya tumiwalag, nagpigil na lang ako at tinanong kung anong plano ng kanyang grupo at kung paano nila tinitignan ang lipunan, at ang panitikan at pamamahayag sa kani-kaniyang partikularidad nito. Hinabaan ko na ang tanong, dahil ang gusto ko na lang ay pakinggan ang carbon copy na tumulong sa aking maglakbay sa Siyudad ninyong ito. Ang King Mob sa ibang panahon at espasyo. Mas malala ang sinagot nito. Magrarally daw sila tuwing walang klase, at hanggat maaari, laging papasok sa klase para maperpekto ang attendance. Sa gayong paraan daw, sa pag-aaral, sa minsanang pagrarally, sa pagsusulat tulad ni Rizal, mapabubuti nila ang kalagayan ng Siyudad. Idolo niya raw si Propesor Charles. At isa pang idolo niya kaya siya nananatiling kalbo ay si Lex Luthor na tumutulong magpuno sa kulang na badyet ng Pamantasan. Mission accomplished ako, tarantado! Dahil may ideya na ako kung sino ang huling pupuntahan, nagprisinta na akong magbayad ng inorder naming kape. At, tama, nalasap niya ang bangis ng bowel disruptor. Nakakadismaya, at sana akala ko lang na siya si King Mob. Hindi, pangungumbinsi ko sa sarili, nagkocosplay lang rin siguro ito bilang King Mob.

Dahil nabadtrip ako, ang ipinataw kong parusa sa kanya ay “complete rectal prolapse.” Iwinaglit ko sa isipang militante itong si Gideon. Swerte lang pala at pagpapala ng panginoong HesuKristo na natyempuhan ko siya sa bihira niyang pagkilos at pakikisangkot. Mabuti rin palang nagbigay-pugay ako kay Kristo nung isang araw sa pamamagitan ng pagko-cosplay, at sinwerte akong makapanayam ang cosplayer na King Mob. Teka, swerte nga ba? Torture sa aking iwaglit ang mga napagusapan namin ni Gideon. Nakakaputangina.

Ang Burukratang Negosyanteng Kalbo


Hindi ko na mawari kung tinarantado ba ako ng unang nakilalang King Mob sa Siyudad kong pinagmulan. May ganito palang Siyudad na parang hinindot na pekpek at sinalpakan ng mga tamod ng iba’t ibang hayop at putik at libag at pawis ng iba’t ibang mikorobyong nagdudulot ng masangsang na amoy na mas matapang at mapangwasak pa kay Cthulhu ang amoy na gumuguhit sa ilong hanggang sa isipan hanggang sa utak hanggang sa spinal column hanggang sa lahat ng ugat patungo sa kaluluwa. Nanunuot ang masidhing lansa na gusto ko nang agad na ilabas pero hindi mailabas dahil pilit na pumapasok ulit. Tanginang gobyerno, tanginang mga tao, sino ba ang hindi tangina sa Siyudad na ito? Wala rin palang pinag-iba sa Siyudad na pinanggalingan ko. Dibale, isang pekpek na lang, at ipapasa ko na sa publisher ang huling kolum na ito, at jajakulin ko na ang portal para labasan at ilabas ako sa Siyudad—Ang Siyudad.

Hindi mahirap hanapin si Luthor. Punung-puno kasi ng pangalan niyang pangalan rin ng mga korporasyon niya ang lahat ng produktong binebenta sa Pamantasan, at maging sa mga binebenta sa suking tindahan o mga bangketang ukinamshet sa pamimirata. Ukinamshet sa nakakatawa at nakakatuwang paraan dahil nilalapastangan talaga ang mga produkto ni Lex at binebenta sa mas murang halaga. Kaya kahit papaano, natitira nila sa puwet ang negosyanteng dati palang naging Presidente ng siraulong mundong ito. Tulad ng ibang mga dating Presidente, napanatili niya ang kuneksyon at kapit sa kapangyarihan. Hayup, matindi sigurong pagpuputa at pamumuta o pambubugaw ang ginawa nitong kinginang ito.

Hindi siya mahirap hanapin, pero mahirap maka-appointment. Matapos matunton ang opisina niya, dalawang araw ang lumipas bago kami nagkaharap. At matindi ang pinagdaanan ko sa ngalan ng paghahalungkat sa Katotohanan, at hindi naman ako nagsisis. Dahil hindi naman ako kasintanga ng mga nabalitaan kong pulis na humawak sa isang hostage krisis kamakailan, naghanda ako ng sapat na armas. Pang-finale at nireserba ko para kay Luthor ang secret weapon. Nasaid ang mga mga punglong dala ko, at dumating na sa puntong kinukuha ko ang mga armas ng mga napapatumbang putangina. Nang wala na talagang madekwatan, nariyan naman ang mga bangko, at pwede namang magsilbing crowbar ang anumang kahugis o kahawig nito.

Tulad ng maraming pa-astig na nakakapakyu na mga putanginang nasobrahan ata sa pagtitikol at ikinosplay ang Godfather kahit hindi naman ito anime, humarap ang nakaupong si Luthor na parang mafia boss—malumanay pero maangas kumilos, may kumpyansa sa sarili, at parang titi kung umasta. Itinuwid nito ang braso bilang mwestra ng pagiging maginoo. Nakikipag-kamay si gago. Dahil katulad niya rin akong gago, hindi ko pinansin ang alok niyang shakehands. Nagpakilala na lang ako bilang kolumnista ng MENSAHE NG MAYNILA, at nagpahayag ng interes sa sobrang busilak niyang damdaming singputi ng tamod na nais tumulong diumano sa Pamantasan na walang bahid ng layuning mambuntis at manghindot.

Ngiti ang putangina. Akala siguro niya, tiniis ko ang lahat ng sakit ng katawan, nabasag ang mukha ko, at nagkaroon ng bitak ang mga tadyang ko, para lamang makipagsalsalan sa kanya. Ulul! Dahil inutil ang gago, agad naman itong nagbahagi matapos tiyaking mamamahayag nga ako at maililimbag ko ang artikulo. Marami ring off the record, at babanggitin ko na para hindi makaabala mamaya sa paglalahad ko ng katigangan ng manyak na ito na wala yatang balak tumigil sa panggagahasa sa Siyudad at sa pagchupa sa sinumang tutulong sa kanyang maabot ang pangarap niyang maabot ang sukdulan ng libog at yaman.

Sa pagitan ng mga palitan, may mga pagkarinyo at pambubrutal na naganap. Minsan, bigla niyang tatanggalin ang kandado ng kahadeyero at mayamaya’y magbibilang na siya ng pera. Tapos, biglang bubuksan niya ang isang aklatan na hindi pala aklat ang mga nakasilid, kundi mga dekalidad at matataas na kalibre ng armas na halos katumbas na ng mga armas sa Siyudad na pinagmulan ko. Tapos, magbubuklat siya ng magazine ng mga chics at tatanungin kung anong mga putahe na ang natikman ko at kung ano gusto kong tikman. Mga ganoong tipo ng mga pagpapatagal sa panayam, sa kabila ng matinding pagnanais kong bumatsi na.

Pero hindi ako lumayas at hindi tumakas dahil bilang responsableng mamamahayag, dapat ko munang gawin ang aking tungkuling hanapin at ipahayag ang Katotohanan, at dahil edukasyon na rin ang paksa, doon ko na rin itinuon ang panayam. Nang tanungin sa mga polisiya niya noon sa edukasyon, at kung napatupad ba ito, hambog itong sumagot na nakabuti raw ang pagtaas ng matrikula na ngayon lamang napatupad sa Pamantasan, at sana raw ay dati pang naipatupad para agad nang napunuan ang kakulangan sa badyet na binibigay ng gobyerno.

Sinabi kong dapat singilin ang pamahalaan dahil nasa kanila naman ang buwis, at tulad ng karamihan ng mga negosyanteng ang interes lamang ay kumita, sinabi niyang hindi naman na raw iyon kailangan. At isa pa, panyero niya daw ang Smiler, o ang Presidente ng lahat ng mga Siyudad dito. Tumayo siya at kumuha ng replika ng daigdig at hinawakan ito na para bang siya ang manghuhulang may hawak sa kapalaran ng mundo. Ngumiti na naman siya ng ngit ng isang titing malapit nang makakantot at pinaliwanag na nasa krisis ang mundo at ang mga katulad niya lamang ang makapagliligtas dito. Ginagawa na raw niya ang mga kinakailangang sakripisyo. At mabuti na lamang daw ay pinahintulutan ito ng pamahalaan: ang tinatawag na private-public partnership kung saan ang isang tulad niyang mabuti ang kalooban ay maaring mag-ambag para sa ikabubuti ng lahat. Mas mabuti na raw ito kaysa mag-aklas. Ang hindi ko maintindihan, ay ang ibinulong niya sa sariling gagamitin naman daw ang kikitain mula sa Pamantasan at iba pang negosyo upang patayin si Superman. Sino ang putanginang si Superman?

Akala ko, ako ang durugista dito at ako ang sabog at ako ang may sayad, pero mukhang nakahanap ako ng katapat at mas matindi pa ata ang saltik sa akin. Kinilabutan ang isang tulad kong nakakita na ng lahat ng mas nakakasuklam at mas nakakahilakbot pang mga bagay o pangyayari at ilan lamang dito ang mga nagsasalitang kanser na may kakayanang magdahilan, ang pamamayagpag ng sopdrinks na may ebola, at mga taong dating taong naging elektronikong usok na nagtatalik. Hindi ko kinaya ang putanginang pursigidong bitiw niya ng mga salita na nagsasaad na inilaan niya ang buhay sa pagtugis kay Superman. Edukado at mayaman ang hindot na si Luthor, pero matindi talaga ang lamat sa utak. Sakto siyang kinatawan ng Siyudad na ito.

Nangatal ang putangina kong mga kamay na hindi nakisama sa partikular na pagkakataong iyon. Ilang ulit kong napihit ang pihitan ng bowel disruptor hanggang sumabog ito at ang nabasa ko na lang—sa, kumbaga, LCD display sa Siyudad at panahon ninyo—ay “Fatal Intestinal Maelstrom.” Hindi ko alam kung si Luthor ba ang salarin sa nadamang hilakbot o ang kapeng may pampabangong halamang damong cannabis at asukal na may pulburang pinaghalong shabu, cocaine, LSD at iba pang mga patok na drogang produkto ng Siyudad ninyong mas malakas ang tama sa akin kaysa sa mga droga ng Siyudad na pinagmulan. Kahit gusto kong upakan ang putanginang Smiler ninyong punyetarantado, hindi ko na tinangka dahil bukod sa hindi ko siya kamukha at hindi siya kalbo, tingin ko, kayong mga hindot kayo ang dapat magpabagsak sa kanya. Mga tangina n’yong lahat, anong gusto n’yo, umupo at maghintay na lang na gawin ko ang mga diskarteng kayo dapat ang gumagawa? Mga ulul. Pwe. D’yan na kayo! Pakyu!

(Disclaimer na nasa wakas: Hindi ko alam kung matatawag itong fanfiction dahil hindi naman ako gaanong naging fan ng tatlong kalbong kinapanayam ni Spider Jerusalem. Hindi ko rin tiyak kung may "mali" sa pagkaka-characterize ko sa pagkatao ng mga ginamit na karakter sa ehersisyong ito. Bukas naman ho ako sa puna, kaya, atak lang ho kung may problema.

Salamat sa writing challenge na ito at kahit papaano e nakapagsulat ulit ako. Itatala ko ulit sa pangwakas na entry na ito ang mga naisulat:

#001 Titi sa Noo Challenge (Tula - Malayang Taludturan)
#002 Tinigang (Tula - Malayang Taludturan)
#003 Hikbi ng Isang Icarus (Salin ng tula ni Baudelaire)
#004 Ang Hinamak na Buwan (Salin ng tula ni Baudelaire)
#005 Lethe (Salin ng tula ni Baudelaire)
#006 Maryang EDSA (Tula - Ekprasis)
#007 Maryang ELBI (Tula - Dalit)
#008 Maryang RATM (Salin ng kanta ng Rage Against The Machine)
#009 Pag-iimbestiga sa Mabuting Pilipino (Salin ng tula ni Brecht)
#010 Habang Dumarami ang Tula (Salin ng tula ni Bukowski)
#011 Maging Maunawain (Salin ng tula ni Bukowski)
#012 Mga Balyena sa Klase ng Arte (Salin ng tula ni Bukowski)
#013 Tipid Tip (Tula - Tanaga)
#014 DSL Tip (Tula - Tanaga)
#015 UPCAT Tip (Tula - Tanaga)
#016 Badtrip [i] (Tula - Tanaga)
#017 Badtrip [ii] (Tula - Tanaga)
#018 Badtrip [iii] (Tula - Tanaga)
#019 Paglilibing (Salin ng tula ni Goethe)
#020 Pagbulas (Salin ng tula ni Goethe)
#021 Pakiusap (Salin ng tula ni Goethe)
#022 Pag-iisa (Salin ng tula ni Goethe)
#023 Ang Suwail (Salin ng kwento ni Calvino)
#024 Isang Kalipumpon Ng Mga Niknik (Salin ng tula ni Hesse)
#025 Palihim Tayong Nagnanais (Salin ng tula ni Hesse)
#026 Sa Gabi Nang Maglayag Sa Laot (Salin ng tula ni Hesse)
#027 Mga Yugto (Salin ng tula ni Hesse)
#028 Para sa Ating Mga Poncio Pilato (Tula - Malayang Taludturan)
(FanFic - Spider Jerusalem (Transmetropolitan) & Professor X (X-Men))
(FanFic - Spider Jerusalem (Transmetropolitan) & King Mob (The Invisibles))
(FanFic - Spider Jerusalem (Transmetropolitan) & Lex Luthor (Superman))

Salamat ho sa lahat ng sumubaybay, lalo sa nagpasimuno!)

Thursday, August 25, 2011

Sandatahang Banga Panel [Teaser] x Paper Monster


Would print the first 15 or 20 copies later. I might drop by the NCAS Auditorium for Isko't Iska 2011. I only expect a certain number of friends to be interested, so just contact me if you want a copy. Or, leave a comment here, with your contact details. Or, "like" the page, then let's communicate from there. Or, wait for the next komikon, though I am not quite sure whether I'll be there or not. Distribution is quite a problem. Left copies of Lihim ng mga Lespu at Crazy Carabao's along Demarces, but some ended up stolen--as even some of the second-hand books they sell ended up stolen. At least, people are still interested in zines and books.

Anyway, let me share blurbs for Ang Sandatahang Banga. This is from Professor Emmanuel Dumlao of the Department of Humanities of the College of Arts and Sciences of UPLB:

"Windang pa tayo at naghihimutok tungkol sa mga bangang nagsusulputan sa kampus, pinagbabasag na ni Tilde ang mga ito. Sa “Ang Sandatahang Banga, o Kung Bakit Maraming Banga sa Elbi”, dinestrungka ni Tilde ang isang misteryo: ang mga banga, ang CSB, ang large class, ang OSA, at ang iba pang instrumento ng panunupil sa UPLB ay mga pintig ng iisang puso.

Walang gatol sa obrang ito ang kaisahan ng magkakasalungat: sinauna at haytek, realidad at kababalaghan, ordinaryo at pantastiko, tula at prosa. Sa pamamagitan nito, pinalulutang tayo ni Tilde sa daigdig ng mga rakstar na khalix habang pinananatili rin niya tayong nakatuntong sa ating realidad.

Naiibang mukha ito ng pagkathang nakikisangkot sa transformasyong panlipunan. Iginuguhit nito ang isang bagong tradisyon ng paglikha ng panitikan. Mabuhay ka Tilde!"

This is from Adam David, author of The El Bimbo Variations and The Long Weekend:

"Sa kasalukuyang panahon, mag-isang pinangangatawanan ni Acuña ang potensyal ng modernong komix bilang anyong pandiskursong pulitikal, mula sa tindig at indayog ng palaban na panulat hanggang sa nakakapulikat na kapraningan ng 'di-makalma-kalmang guhit-kamay hanggang sa paggamit ng mga veriteng litratong tila halaw sa pahayagan o libro ng kasaysayan. Ang sinasabi ni Acuña ay Ito ang tunay na lagay ng buhay: walang mga bayani; marami ang halimaw; ang sarili lang ang mapagkakatiwalaan; ang maaasahan lang ay patuloy na opresyon at kamatayan. Marami pang kailangang matutunan. Buksan ang mga mata at silipin ang halimaw sa loob ng banga."

This illustrated narrative would be sold at 40php. Story and art by yours truly. Most photographs are from Grekka Sarmiento and Jonallin Yang.



I think there are still a few copies of the other titles, and as far as I can remember they are sold at around the same price. Lihim ng mga Lespu @35php. Ang Engkwentro sa Palma Bridge ng mga Batang Pinalaya(s) sa Sinapupunan @35. Panayam Kay Io (O Kung Bakit Gumagalaw ang mga Estatwa sa Elbi) @40php. There may be special arrangements for bulk orders, or if you were to buy at least three titles. And, if I'd have the powers to produce stickers, you may show me your copy of any komix titles and I'd give you one, for free. Ang punk naman kasi ng ganto, lagalag-benta-bigay-etc. Not that I'm complaining. Just saying. :L

(AND, facebook mail doesn't work. Tried it. So, just leave a comment if interested.)

Another plug, I don't know which, but, I think an artwork of mine would be included in Paper Monster Press's Dream Pop Issue. Though I do not agree with their recent status message "We will not defend poetry. Poetry needs no defense." Hehe. Too lengthy na ito to discuss iyan. Anyway. Lifted from their facebook page are the cover and the list and the programme for the launch on August 27 at Espasyo Siningdikato, Dasmariñas Cavite. Salamat kay A.B. Mendoza for informing me:

"Here's the final list of contributors for Paper Monster Press's "Dream Pop Issue." Thank you to all who submitted and congratulations!

LITERARY
Jim Pascual Agustin (Tubig-alat sa Ating mga Mata)
Jack Alvarez (Chemistry)
Joyce Marisse Amon (Sending Out)
F. Jordan Carnice (Ghost)
Marella Jem Castro ("I Suppose You Are Real," said The Velveteen Rabbit)
Jose Jason Chancoco (Astral Travel)
Gigi Constantino (Light Captured)
Christa De La Cruz (Reprieve)
Danilo dela Cruz, Jr. (Ang Araw na Para sa Kanya)
Lolito Go (Sa Pagkalalake)
Eva Gubat (How Somebody Mimicking Joy Williams Would Talk One Morning)
Sinta Isaac (Espongha)
Mark Alvin Jabrica (Listen To Your Mother)
Melay Guanzon Lapeña (Continuity Study)
Veronica Laurel (Waking)
Jenni de Leon-Slater (Colin)
A.B. Mendoza (Dry As Leaves)
Patrick Quintos (1:00 a.m.)
Thirteen Salonga (Encounter #1)
Dott Seki (One Man Universe)

MUSIC
The Dunes (Going Under)
Eggboy (No Way Jose-Alternate Version)
Gentlemen Marry Brunettes (Postlude to Fervor)
Identikit (Tiny Fractures)
The Informations (The Wind and The Stone)
J-Solo (Riding Waves, Passing Time)
KR-O.K (Run To Me-Beegees Cover)
Lipstick Tears (Will You Please)
Minimal Pop (Le Rêve)
Monochrome (Grey Sky Manila)
Neuter Lover (Find)
Phantom Sizemore (How To Kill a Giant Robot)
Pogs (Sticky Dreams)
The Standards (Espinosa)

VISUAL ART
Jesus Tejada
Bunny Rose
Tilde Acuña
Chris Bird
Lorna Zaragosa
Aeon Barrameda

PROGRAMME

8:00 PM
Gentle Universe
Read Our Lines
An Army of One
The Shakes
9:00 PM
Bobby Balingit
Solid Objects
Animalidad
Paper Monster Press
10:00 PM
Patrik Kintos
Elemento
Cosmopolitan Smoke Stabs
Monochrome
11:00 PM
Arvin Narvaez
Blanko
Clever Clones
Fherrond

Hosted by: En Villasis of PAPER MONSTER PRESS"


There. I shall be leaving for elbi in a while soon.

Saturday, July 23, 2011

Eliphas With a Thousand Young

I am not quite sure how to categorize this. Shall I put it under the "Pandora's Boxes," since there is a reminiscence of the past (or one of the futures?!) going on? Or, under the "Nausea" series, since, well, I don't have to explain, right? Those are tongues and mouths and teeth and appendages right there. Or, under the "Spectacles," since-- or under a new category, say, "Tentacles," with another unclassified illustration--King Inang Yellow? Ugh. Nevermind. Just, let me share with you, Eliphas with A Thousand Young. Obviously a reference to Shub-Niggurath.


"Iä! Iä! Shub-Niggurath! The Black Goat [of the Woods] with a Thousand Young!"



Above are different artistic renditions of Eliphas. Images by (Clockwise) Tilde Acuna, Regine Genato, AK Castillo Ruffa Solano, Aye Sarapuddin, Bangs Colona. (Originally posted here.)

***

P.S. I really have to cleanse myself and wash the colours away like blood from a butcher's hands. Colours that left spots on a clean cloth, ie, my er... shit, I am out of words. If you haven't voted for that PETA (Philippine Educational Theater Association) contest yet, please check out all the entries and take your pick. This is my entry. "Like" it to vote for it. And if you like it enough, please tell your friends about it. Here are two blog posts about it: (link!) and (link!). Thanks.

Wednesday, July 20, 2011

Spectacleshards [ii]: Graphic's

[SPAM! Before anything else, please do take time in voting for my entry in the Philippine Educational Theater Association's contest in re/creating a Shakespearean icon that is to be used as PETA's, well, 44th anniversary icon, if you like my design and it wouldn't be too much of a hassle. If you don't, then vote for other designs. If you don't, then, don't. Here's my write-up re: Liking. Here, for the nth time, is the link to my entry. Shameless plugging at its finest. I shall roll-call most, if not all, of my facebook contacts via tagged comments this weekend. Hope no one kills me for spamming, though I spam in a less irritating manner (I suppose) compared with those who tag you in photos of products they sell. At least twenty times.]

These are snippets taken out of context from the November 2, 2009 issue of Philippines Graphic (Vol. 20 No. 22). Unlike the first SpectacleShards that clipped a scene told through successive paragraphs, this entry quotes from all over the piece Pili Nut by Ma. Romina Gonzalez. Like the first SpectacleShards, this is encoded with all my might, since the Graphic's web archive only contains literary pieces published in 2010 & 2011.

I tried to take a good look at those eyes the first time we met at an exhibit of Nabokov's memorabilia and manuscripts at the New York Public Library. You wore dark glasses indoors, making me wonder whether you were famous or disgraced. We were appreciating the white heart-shaped sunglasses worn by Lolita in the Stanley Kubrick film version.
***
You ignored me and left the room as fast as you could leaving me to wallow in Nabokov's pet peeves. He seemed to hate everything except his work. I felt exactly the same, only I had no work.
***
"You remember the first time we met?" I ask as we walk to Strawberry Fields. You let your shades slide down your nose, revealing dark, brown eyes, a curious mix of amber and streaked onyx, depending on how light struck them. I was instantly drawn to your eyes, I don't tell you.
***
I accepted the folders like the diploma from the university I attended there a month before. An aunt was at the ceremony. I slipped one of the folders out of its rubber bind, my mouth gone dry from excitement. You watched me the whole time. No, you weren't strange; not at all, I thought, as I look through carefully cut-out sections of New York Times, the National Enquirer, the Real Estate Gazette and old Consumer Reports. I was overwhelmed with delight. I understood you completely.
***
We reached the Strawberry Fields marker, dedicated to the Beatle who was killed in his adopted city by a fan who claimed it was God's will. He was your favorite of the four. I bring out a newspaper rose I had made for the occasion and lay it on the Imagine mosaic which is completely outlined by a daisy chain.
***
"Pi-li brit-tle. Don't you just hate it when you get something that doesn't live up to its promise? The first few bites were great and perfect but now that I've been hooked and I want more, out comes this huge honey, nutty planet of a 'brittle,' like a cruel, cruel surprise."

I hope I didn't commit any typographical errors. Anyway, connect the dots of this fiction with the fiction that pretends to be fiction, if you may and if it pleases you so much it makes you happy. I thought of murmuring between the passages through parenthetical remarks to-- Well, I decided against it. So, there.

Thursday, July 14, 2011

Spectacleshards [i]: Calvino's

This is an excerpt from Italo Calvino's The Nonexistent Knight. No, this is not "copypasted" because I failed to find a .pdf file of the novel. I encoded this with all my er... heartlessness and fingers for tentacles, so, please allow me to beg for your forgiveness had there been typographical errors. Or, fuck off. Kidding.

This is, needless to say, fiction, unlike fiction that claims to be fiction. A lie with deceit as facade. A nightmare within a nightmare. Read on and get whatever you can out of the shards of Calvino's wazakation. Whatever the fuck that fuck means.


This uncertainty was nearly fatal. The Moor was pressing closer and closer when a great row went up nearby. A Moorish officer in the press of the battle suddenly let out a cry.

At this shout Raimbaut's adversary raised his visor as if asking for a truce, and called out in reply.

"What's he say?" Raimbaut asked the interpreter.

"He said, 'Yes, Argalif Isohar, I'll bring you your spectacles at once!"

"So it's not him!"

"I am Argalif Isohar's spectacle bearer," exclaimed his adversary. "Spectacles are instruments as yet unknown to you Christians, and are lenses to correct the sight. Isohar, being short-sighted, is forced to wear them in battle, but as they're glass a pair gets broken every fight. I'm attached to him to supply new ones. May I therefore request that we interrupt our duel, otherwise the Argalif, weak of sight as is, will get the worst of it."

"Ah, the spectacle bearer!" roared Raimbaut, not knowing whether to gut him in a rage or rush at the real Isohar. But what merit would there be in fighting a blind adversary?

"Do let me go, sir," went on the optician, "as the plan of battle depends on his keeping in good health, and if he doesn't see he's lost!" and brandishing the spectacles he shouted back "Here Argalif, here are the glasses!"

"No!" said Raimbaut, and slashed at the bits of glasses shattering them.

At the same instant, as if the sound of the lenses in smithereens had been a sign in his end, Isohar was pierced by a Christian lance.

"Now," said the optician, "he doesn't need glasses to gaze at the houris in Paradise," and off he spurred.


I really hope to finish reading this novel--and eventually the entire trilogy--soon. I am done being isolated with Albert Camus's collection of six short stories Exile and the Kingdom, save for the last story. I am quite happy with the misery of "The Artist at Work" and quite depressed with the defeatist 'fate' of "The Silent Men." Would try to review the collection (naks, amfeeling!) soon.

Some other streets within the City as of 11.11.11.11.11

bi cycle : [i] [ii] [iii] buwan ng wika prompts : [001] [002] [003] [004] [005] [006] [007] [008] [009] [010] [011] [012] [013] [014] [015] [016] [017] [018] [019] [020] [021] [022] [023] [024] [025] [026] [027] [028] [x] [029] [030] [031] carcosite news net : [x] [x] [x] [x] [x] nausea : [001] [002] pandora's boxes : [i] [ii] [iii] [iv] [v] [vi] [vii] [viii] [ix] [x] [xi] qbccc : [x] [x] [x] [x] [x] [x] [x] reverence : [i] [ii] [001] [002] [003] [004] [005] [006] [007] [008] [009] [010] [011] [012] [013] [014] [015] [016] [017] [018] [019] [020] [021] [022] [023] [024] [025] [026] [027] [028] [029] [030] [031] << samhain countdown | shards : [i] [ii] [iii] [iv] [v] [vi] spectacles : [i] [ii] [iii] [iv] [v] [vi] [vii] [viii]